Turning Tides Music: Ticketing

Folk Hill: Alice Howe and Freebo with Clive Carroll, June 24, 2026

Oak Hill School Outdoor Amphitheater, 86397 Eldon Schafer Dr, Eugene, OR

Alice Howe & Freebo have undeniable chemistry. Rock bass legend Freebo weaves his fretless stylings into Alice’s soulful, impeccably-tuned vocals for a harmony-driven performance showcasing two uniquely compelling songwriters.

Best known for his ten years playing bass with Bonnie Raitt, Freebo has toured and recorded with some of the greatest artists of his generation, including John Mayall, Ringo Starr, Crosby Stills & Nash, Maria Muldaur, Joe Walsh, and Dr. John. For the past twenty-five years, he’s been writing, recording, and performing his own original music. To hear Alice Howe sing is to be enraptured by the natural, unaffected beauty of her voice. There’s no artifice, no histrionics — just honest, authentic, emotionally resonant singing in the tradition of the roots music that shaped her. She recently had the honor of being named Best Female Artist at the International Acoustic Music Awards.

Freebo and Alice have been working as a duo since 2017, and he produced her latest record Circumstance, recorded at iconic FAME Studios in Muscle Shoals, Alabama. Their latest album Alice Howe & Freebo Live is their first release as a duo, and it debuted as the #1 Most Played Album on the Folk Radio Charts.

Clive Carroll’s unique tone, versatility, and unmistakeable voice as a composer, have seen him become one of the world’s premier acoustic guitar players and “…arguably the most accomplished fingerstylist in the world today…” (Total Guitar Magazine).

​Clive made his musical debut at age two as a banjo-strumming cowboy singing nursery rhymes. His parents had a passion for Irish, American country, and old-time music, and it wasn’t long before he was playing in the family band on a homemade banjo. By his early teens, guitar in hand, Clive was traversing the worlds of soul, pop, funk and traditional Irish music, balancing his affinity for Slayer with the etudes of Tárrega. This breadth of musical curiosity was to become one of his strengths; even as a child Clive was as comfortable accompanying a group of folk singers as he was jamming along to Nirvana or performing on banjo and guitar in the orchestral pits for musicals.

Clive went on to earn a 1st Class Honours Degree in Composition and Guitar from the famed Trinity College of Music in London, all the while balancing his classical work with forays into the world of the steel-string guitar. By the time he graduated from Trinity, Clive had not only penned orchestral works, he had a written an album’s worth of solo acoustic guitar music. A chance meeting with English guitar legend John Renbourn proved the catalyst for Clive’s debut album, “Sixth Sense”, which Renbourn deemed “a milestone in the journey of the steel-string guitar”. He subsequently took Clive on the road with him and the pair toured North America and Europe together, launching Clive’s solo performing career.

Newberry and Verch, October 23, 2026

Coburg Commons, 91193 N Willamette St, Coburg, OR

Growing up, Joe Newberry and April Verch absorbed traditions of home and hearth – in his Missouri Ozarks and her Ottawa Valley of Canada. Although they are on the road much of the year, the two musicians are fond of saying that they are rarely homesick, because their music means they always have a bit of home with them wherever they go.

Joe Newberry comes from a family of singers and dancers. He took up the guitar and banjo as a boy and learned fiddle tunes from great Missouri fiddlers. April Verch grew up listening to her Dad’s country band play for dances in the Ottawa Valley. She started step dancing at age three and fiddling at age six. In a Newberry & Verch show, delighted audiences see first-hand the roots of their music, their love of performing, and their strong musical connection. Original songs join timeless classics. Stories warm the heart, and give audiences a chance to understand where the music comes from. Lively fiddle and banjo numbers combine with traditional dance steps to illustrate happy times when people made their own fun.

Known around the world for his clawhammer banjo playing, Newberry is also a powerful guitarist, singer and songwriter. The Gibson Brothers’ version of his song “Singing As We Rise,” won an IBMA “Gospel Recorded Performance” Award. With Eric Gibson, he shared an IBMA “Song of the Year” Award for “They Called It Music.” A longtime guest on A Prairie Home Companion, he was a featured singer on the Transatlantic Sessions 2016 tour of the U.K., and at the Transatlantic Session’s debut at Merlefest in 2017. Also a sought-after instructor, he plays and teaches at festivals and workshops in North America and abroad.

Before launching her professional career, Verch was the first woman to win both the Canadian Grand Masters and Canadian Open Fiddling Championships. Since 2000, she has toured the world with the April Verch Band, and also in a duo with her husband, Cody Walters, performing in 19 different countries. She has recorded 18 albums, receiving JUNO, Canadian Folk Music and Independent Music nominations and awards for several of those releases. She has also released an instructional stepdance DVD, a book of original fiddle tunes, and a Canadian Fiddle tune teaching method for Mel Bay. Verch was one of 6 fiddlers who represented the Canadian fiddle tradition to the world at the 2010 Olympic Winter Games in Vancouver, as part of a segment called “Fiddle Nation” featured in the Opening Ceremonies.

Whether it is the power of two voices lifted in harmony, or the sound of traditional tunes calling people to get up and move, these two masters of tradition put on an unforgettable show. And, when their feet kick up the dust in perfect rhythm and those two voices become one, Newberry & Verch help remind folks why this music existed in the first place.

John McCutcheon, November 14, 2026

Unity of the Valley, 3912 Dillard Rd, Eugene, OR

“John McCutcheon is not only one of the best musicians in the USA, but also a great singer, songwriter, and song leader. And not just incidentally, he is committed to helping hard-working people everywhere to organize and push this world in a better direction.”
— Pete Seeger

“The most impressive instrumentalist I’ve ever heard.”
— Johnny Cash

No one remembers when the neighbors started calling the McCutcheons to complain about the loud singing from young John’s bedroom. It didn’t seem to do much good, though. For, after a shaky, lopsided battle between piano lessons and baseball (he was a mediocre pianist and an all-star catcher), he had “found his voice” thanks to a cheap mail-order guitar and a used book of chords.

From such inauspicious beginnings, John McCutcheon has emerged as one of our most respected and loved folksingers. As an instrumentalist, he is a master of a dozen different traditional instruments, most notably the rare and beautiful hammer dulcimer. His songwriting has been hailed by critics and singers around the globe. His thirty recordings have garnered every imaginable honor including seven Grammy nominations. He has produced over twenty albums of other artists, from traditional fiddlers to contemporary singer-songwriters to educational and documentary works. His books and instructional materials have introduced budding players to the joys of their own musicality. And his commitment to grassroots political organizations has put him on the front lines of many of the issues important to communities and workers.

But it is in live performance that John feels most at home. It is what has brought his music into the lives and homes of one of the broadest audiences any folk musician has ever enjoyed. People of every generation and background seem to feel at home in a concert hall when John McCutcheon takes the stage, with what critics describe as “little feats of magic,” “breathtaking in their ease and grace…,” and “like a conversation with an illuminating old friend.”

Whether in print, on record, or on stage, few people communicate with the versatility, charm, wit or pure talent of John McCutcheon.

Robbie Fulks, November 19, 2026

Coburg Commons, 91193 N Willamette St, Coburg, OR

“It’s time to make a change,” Robbie Fulks declares at the start of Now Then, his second album on Nashville’s Compass Records. This statement is familiar to anyone who follows this critically acclaimed and GRAMMY-nominated singer-songwriter’s career. Since emerging in the 1990s as a pioneer of today’s Americana movement, Fulks has consistently explored different sounds, genres, and themes across 16 albums, performing on stages from the Grand Ole Opry and Late Night with Conan O’Brien to the Hollywood Bowl and Jimmy Kimmel Live with Steve Martin, Alison Brown, and Tim O’Brien.

Throughout his career, Fulks has collaborated with some of music’s most distinguished artists, including Lucinda Williams, jazz violinist Jenny Scheinman, bluegrass pioneers Sam Bush, Jerry Douglas, Alison Brown, and Sierra Hull, singer Kelly Willis, NRBQ’s Al Anderson, and steel guitarist Lloyd Green. Now Then expands this circle with contributions from Scheinman, drummers Pete Thomas (Elvis Costello) and Jay Bellerose (Aimee Mann, Robert Plant, Alison Krauss), bassist Paul Bryan (Aimee Mann, Jeff Parker), keyboardist Wayne Horvitz (John Zorn, Bill Frisell), guitarists Duke Levine (Bonnie Raitt, Peter Wolf) and Kevin Barry (Jackson Browne, Rosanne Cash), and accordionist Pepe Carlos (La Santa Cecilia), among many others. As an ensemble, they craft intertwined musical textures that drive each song’s rhythm, highlight their personalities, and add depth.

Along the way, Fulks gained recognition for his instrumental virtuosity and powerful songwriting. Artists like Sam Bush, Andrew Bird, John Cowan, the Old 97’s, and Hiss Golden Messenger have covered his songs, and he has released full albums reinterpreting the works of Michael Jackson and Bob Dylan, along with two collections of unreleased songs and rarities totaling 103 tracks. His creative ventures include an unhinged 2013 collaboration with the punk legends The Mekons, productions of albums by alt-country songwriters Brennen Leigh and Dallas Wayne, and a fiery duo with rockabilly pioneer Linda Gail Lewis. Fulks also performs with comic improvisers; he is a regular at Second City’s holiday fundraisers and has shared the stage with talents like Michael McKean, Tina Fey, Bob Odenkirk, and Fred Armisen.